29 November, 2013

A DESMATERIALIZAÇÃO PELA REFLEXÃO


American artist Phillip K Smith III has added mirrors to the walls of a desert shack in California to create the illusion that you can see right through the building.

Entitled Lucid Stead, the installation was created on a 70-year-old wooden residence within the California High Desert.

http://www.dezeen.com/2013/11/23/lucid-stead-installation-by-phillip-k-smith-iii/?utm_medium=email&utm_campaign=Dezeen+Mail+180&utm_content=Dezeen+Mail+180+CID_dbc1d694de19dcf9cedabbd49f617e4b&utm_source=Dezeen+Mail&utm_term=Lucid+Stead+installation+by+Phillip+K+Smith+III+makes+a+desert+cabin+appear+transparent

PRÉMIO BEST PAPER AWARDS 2013_BUILDING AND ENVIRONMENT










O paper relativo à descrição e resultados da primeira parte do projecto HEAD da Universidade de Salford, UK, conduzido por Peter Barret obteve o prémio "Best Paper Award" da revista "Building and Environment " entre 1300 candidatos.

O paper tem o título: "A holistic, multi-level analysis identifying the impact of classroom design on pupilslearning" e os seus autores são: Peter Barret, Yufan Zhang, Joanne Moffat e Khairy Kobby. Outra boa notícia é que pode ser descarregado gratuitamente até Março em : http://www.journals.elsevier.com/building-and-environment/news/2013-best-paper-awards-announced/   

Este projecto aborda o impacto que a envolvente do espaço da sala de aula tem, nos seus múltiplos aspectos (qualidade do ar, iluminação, desenho do espaço, etc.), na eficácia da aprendizagem por parte dos alunos.

A 2ª fase do Projecto está em curso e conta com a participação do Vice-Presidente da APCor, João Pernão, como membro do painel internacional de especialistas. O primeiro relatório desta fase encontra-se também já disponível, com a amável autorização do Professor Peter Barret, em http://www.ri.salford.ac.uk/peterbarrett/news/article/index.php?id=53

26 November, 2013

"COLOURS"_PRÉMIO JOVENS ARTISTAS_ ART FORUM UTE BARTH


Announcement Young Art Awards COLOURS
ART FORUM UTE BARTH Young Art Award <33 div="">
The Award is aimed at nurturing and promoting emerging young artists working in any medium such as painting, sculpture/objects, installation, or multi-media.
We provide the opportunity for 1-3 selected artists to show their latest work in the gallery in 2014. The competition is open to all international artists under the age of 33.
The theme of the 6th Young Art Award < 33, 2013/2014: “COLOURS”
Deadline: The Gallery is open for submissions until 31. December 2013

25 November, 2013

LUZ E COR


Buddhist monks prepare to release sky lantern after a blessing ceremony during the Loy Krathong Festival at a temple in Chiang Mai, Thailand.

http://lightbox.time.com/2013/11/22/pictures-of-the-week-november-15-november-22/#ixzz2lf7hqqwk

CALL FOR PAPERS: NEW PERSPECTIVES ON COLOUR


CALL FOR PAPERS: NEW PERSPECTIVES ON COLOUR


 
As part of the AISB-50 Annual Convention 2014 to be held at Goldsmiths, University of London, on April 1st-4th 2014 (http://aisb50.org/). The convention is organised by the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB), http://www.aisb.org.uk/
 
 
SYMPOSIUM WEBSITE: http://doc.gold.ac.uk/~mas01kd/aisb50/
 
 
OVERVIEW
Understanding the way in which we experience colour is a topic that crosses many disciplines. From scientific measurement to subjective phenomena, colour is as diverse an area of study as Artificial Intelligence itself.  Colour permeates all aspects of our daily lives and yet still contains many unknowns. If we can gain a better understanding of how we perceive colour then we can use this information to drive advancement in technology, both in the machine processing of colour information and in simulation of the human visual system. Instead of (re)attempting to define how we experience colour, this symposium asks how we can explore and use what knowledge we already have, particularly across a wide range of disciplines.
 
 
TOPICS OF INTEREST
This symposium will offer the chance to explore the usefulness of our knowledge of colour from an interdisciplinary perspective. We encourage contributions from a wide range of fields such as psychology, philosophy, neurology and colour science through to (but by no means limited to) computer graphics and vision, linguistics, art and the Classics. There are no prescribed topics of interest: we welcome proposals from anyone in any discipline whose research is concerned with the perception, understanding and use of colour. It is hoped that engaging a broad variety of disciplines will enable all participants to reflect on insights that may not be obvious or prevalent within their own research. 
 
The symposium will be organized around talks (the accepted full papers) and an informal discussion. The outcome of this symposium will be a broadened perspective of approaches to colour and a chance to foster new interdisciplinary research connections and collaborations.
 
 
SUBMISSION AND PUBLICATION 
Submissions must be full papers and should be sent via EasyChair: 
https://www.easychair.org/conferences/?conf=aisb50
 
Text editor templates from a pervious convention can be found at:    
http://www.aisb.org.uk/convention/aisb08/download.html
 
We request that submitted papers are limited to eight pages. Each paper will receive at least two reviews. Selected papers will be published in the general proceedings of the AISB convention, with the proviso that at least ONE author attends the symposium in order to present the paper and participate in general symposium activities.