21 March, 2014

DIA INTERNACIONAL DA COR | INTERNATIONAL COLOUR DAY 2014



O Dia Internacional da Cor celebra-se no dia 21 de Março em todo o mundo e tem uma importância especial para Portugal e para Associação Portuguesa da Cor.

Esta celebração foi promovida pela APCor, membro da AIC - International Colour Association, e defendida pela Professora Maria João Durão, fundadora e mentora da APCor, até à sua implementação a nível mundial.

A APCor tem sede na FAUL e foi fundada por professores e alunos do Curso de Mestrado em Cor na Arquitectura em 2003. 

Este ano a APCor celebra o Dia Internacional da Cor com a realização do Seminário Luz, Cor e Saúde  no Hospital - Escola Fernando Pessoa em Gondomar, Sábado, dia 22 de Março.

14 March, 2014

SEMINÁRIO LUZ, COR E SAÚDE

SEMINÁRIO LUZ, COR E SAÚDE, dia 22 de Março, organizado pela APCor e pela Universidade Fernando Pessoa, comemora o DIA INTERNACIONAL DA COR.



 


13 December, 2013

BOAS FESTAS!

Dec. 11, 2013. An aquarium staff member dressed in a Santa Claus costume embraces a Zebra shark as he swims with fish inside the Sunshine International Aquarium in Tokyo.

Read more: Pictures of the Week: December 6 – December 13 - LightBox http://lightbox.time.com/2013/12/13/pictures-of-the-week-december-6-december-13/#ixzz2nNwpF7YF


04 December, 2013

PRÓXIMAS CONFERÊNCIAS SOBRE COR


X Conferenza del Colore, Genova, Italia
11-12 September 2014
Università di Genova
Organization: Gruppo del Colore – Associazione Italiana Colore
In cooperation with Dipartimento D.S.A., Scuola Politecnica, Università degli Studi di Genova; Centre Français de la Couleur (France); Groupe Français de l'Imagerie Numérique Couleur (GFINC); The Colour Group (Great Britain).
Abstract Submission Deadline: 7 February 2014
Submissions should be sent via EasyChair and further information:
http://www.gruppodelcolore.it/index.php?option=com_content&view=article&id=52&Itemid=59&lang=en
 
6th International Conference on Image and Signal Processing (ICISP), France
30 June to 2 July 2014
Cherbourg, Normandy, France
Special Session on Color Imaging and Applications sponsored by the French GFINC
Full Paper Submission Deadline: 8 February 2014
Papers should be submitted via http://www.stlo.unicaen.fr/icisp/submission
 

02 December, 2013

29 November, 2013

A DESMATERIALIZAÇÃO PELA REFLEXÃO


American artist Phillip K Smith III has added mirrors to the walls of a desert shack in California to create the illusion that you can see right through the building.

Entitled Lucid Stead, the installation was created on a 70-year-old wooden residence within the California High Desert.

http://www.dezeen.com/2013/11/23/lucid-stead-installation-by-phillip-k-smith-iii/?utm_medium=email&utm_campaign=Dezeen+Mail+180&utm_content=Dezeen+Mail+180+CID_dbc1d694de19dcf9cedabbd49f617e4b&utm_source=Dezeen+Mail&utm_term=Lucid+Stead+installation+by+Phillip+K+Smith+III+makes+a+desert+cabin+appear+transparent

PRÉMIO BEST PAPER AWARDS 2013_BUILDING AND ENVIRONMENT










O paper relativo à descrição e resultados da primeira parte do projecto HEAD da Universidade de Salford, UK, conduzido por Peter Barret obteve o prémio "Best Paper Award" da revista "Building and Environment " entre 1300 candidatos.

O paper tem o título: "A holistic, multi-level analysis identifying the impact of classroom design on pupils’ learning" e os seus autores são: Peter Barret, Yufan Zhang, Joanne Moffat e Khairy Kobby. Outra boa notícia é que pode ser descarregado gratuitamente até Março em : http://www.journals.elsevier.com/building-and-environment/news/2013-best-paper-awards-announced/   

Este projecto aborda o impacto que a envolvente do espaço da sala de aula tem, nos seus múltiplos aspectos (qualidade do ar, iluminação, desenho do espaço, etc.), na eficácia da aprendizagem por parte dos alunos.

A 2ª fase do Projecto está em curso e conta com a participação do Vice-Presidente da APCor, João Pernão, como membro do painel internacional de especialistas. O primeiro relatório desta fase encontra-se também já disponível, com a amável autorização do Professor Peter Barret, em http://www.ri.salford.ac.uk/peterbarrett/news/article/index.php?id=53

26 November, 2013

"COLOURS"_PRÉMIO JOVENS ARTISTAS_ ART FORUM UTE BARTH


Announcement Young Art Awards COLOURS
ART FORUM UTE BARTH Young Art Award <33 div="">
The Award is aimed at nurturing and promoting emerging young artists working in any medium such as painting, sculpture/objects, installation, or multi-media.
We provide the opportunity for 1-3 selected artists to show their latest work in the gallery in 2014. The competition is open to all international artists under the age of 33.
The theme of the 6th Young Art Award < 33, 2013/2014: “COLOURS”
Deadline: The Gallery is open for submissions until 31. December 2013

25 November, 2013

LUZ E COR


Buddhist monks prepare to release sky lantern after a blessing ceremony during the Loy Krathong Festival at a temple in Chiang Mai, Thailand.

http://lightbox.time.com/2013/11/22/pictures-of-the-week-november-15-november-22/#ixzz2lf7hqqwk

CALL FOR PAPERS: NEW PERSPECTIVES ON COLOUR


CALL FOR PAPERS: NEW PERSPECTIVES ON COLOUR


 
As part of the AISB-50 Annual Convention 2014 to be held at Goldsmiths, University of London, on April 1st-4th 2014 (http://aisb50.org/). The convention is organised by the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB), http://www.aisb.org.uk/
 
 
SYMPOSIUM WEBSITE: http://doc.gold.ac.uk/~mas01kd/aisb50/
 
 
OVERVIEW
Understanding the way in which we experience colour is a topic that crosses many disciplines. From scientific measurement to subjective phenomena, colour is as diverse an area of study as Artificial Intelligence itself.  Colour permeates all aspects of our daily lives and yet still contains many unknowns. If we can gain a better understanding of how we perceive colour then we can use this information to drive advancement in technology, both in the machine processing of colour information and in simulation of the human visual system. Instead of (re)attempting to define how we experience colour, this symposium asks how we can explore and use what knowledge we already have, particularly across a wide range of disciplines.
 
 
TOPICS OF INTEREST
This symposium will offer the chance to explore the usefulness of our knowledge of colour from an interdisciplinary perspective. We encourage contributions from a wide range of fields such as psychology, philosophy, neurology and colour science through to (but by no means limited to) computer graphics and vision, linguistics, art and the Classics. There are no prescribed topics of interest: we welcome proposals from anyone in any discipline whose research is concerned with the perception, understanding and use of colour. It is hoped that engaging a broad variety of disciplines will enable all participants to reflect on insights that may not be obvious or prevalent within their own research. 
 
The symposium will be organized around talks (the accepted full papers) and an informal discussion. The outcome of this symposium will be a broadened perspective of approaches to colour and a chance to foster new interdisciplinary research connections and collaborations.
 
 
SUBMISSION AND PUBLICATION 
Submissions must be full papers and should be sent via EasyChair: 
https://www.easychair.org/conferences/?conf=aisb50
 
Text editor templates from a pervious convention can be found at:    
http://www.aisb.org.uk/convention/aisb08/download.html
 
We request that submitted papers are limited to eight pages. Each paper will receive at least two reviews. Selected papers will be published in the general proceedings of the AISB convention, with the proviso that at least ONE author attends the symposium in order to present the paper and participate in general symposium activities.

22 November, 2013

TRIBUTO A PANCHO GUEDES


Vejam este fantástico tributo a Amancio d’Alpoim Guedes (Pancho Guedes), SÓCIO HONORÁRIO da APCor desde 2006. (foto Mark Blower)
Fica registado o nosso agradecimento a quem criou e tornou possível este filme e o nosso orgulho de o ter como associado e ter contado com a sua presença e contributo no Mestrado de Cor em Arquitectura na FAUTL, que foi a génese desta associação, coordenado pela Professora Maria João Durão.

Dedicated to the life and work of Amancio d’Alpoim Guedes (Pancho Guedes), À Procura De Pancho illustrates the journey of a solitary student exploring the city of Maputo in search of Pancho. The architect, sculptor and painter spent most of his life in Mozambique, where he designed more than 500 buildings.

Director & Editor: Christopher Bisset
Cinematographer: Ross Hillier
Starring: Stephen Hitchcock
Music: Bateleur

http://vimeo.com/16987348#at=0

12 November, 2013

DIA DE ENCERRAMENTO DO EVENTO SCENA2013



Convidamos os sócios e interessados a participarem nas sessões do dia de encerramento dos Encontros Internacionais de Cenografia promovidos pela APCEN (Associação Portuguesa de Cenografia).

A entrada é gratuita.


06 November, 2013

13 fee reductions and scholarship grants of 4.000€ available for the first International Master’s Program in Color Design & Technology. Color as a Technical, Expressive, and Design Medium.

Site: http://www.polidesign.net/it/colordesign



Milan, October 2013 - POLI.design, Consorzio del Politecnico di Milano, in collaboration with the Università degli Studi di Milano, announces the first edition of the Color Design & Technology Master’s, which is set to start in March 2014 and last 12 months.
This master’s is the very first program worldwide devoted to graduate training in the fascinating and complex field of color design and color technology. A new training program conceived to lend value to the most innovative and exciting areas in design and manufacturing, the master’s program aims to train professional “color consultants,” new specialists to meet growing demand for all-around experts in using color as a technical, expressive, and design medium.  Such professionals know how to manage the technological and design complexities of using color, and thus play a central role in creative and industrial processes in numerous application domains: from industrial product design to interior architecture, from communication to fashion and entertainment, and even in designing the urban environment.
Not surprisingly, lots of professionals and companies have soon expressed their interest to this new training product, which will open  with the patronage and sponsorship of the Associazione Italiana Colore (a cultural association that aims to bring together organizations whose scientific, cultural, and professional work deals with color and light), SIOF – the Società Italiana di Ottica e Fotonica and the manufacturer Konica-Minolta. The master has also the patronage and the collaboration of: Lechler, Missoni, Barbieri, Materis Paint, Boero Group, Ceramica Vogue, Barco, Mamma Fotogramma Studio, Federchimica AVISA, Digiworld, Elementi Moda s.r.l., Create, OIKOS, GMG-Color, X-Rite Pantone, Mantero, FlintGroup, Clariant, Fontegrafica, Progetto Iride e Unione Industriali di Como.
Generous support from partners and sponsors has made available tre  50% fee reductions on tuition charged for the program, thanks to the Associazione Italiana Colore and the Società Italiana di Ottica e Fotonica.  In addition, 10 scholarship grants of €4,000 each, offered by the Politecnico di Milano – Dip. Design, will be assigned to the first students admitted and enrolled by January, 30th 2014. Regulations and conditions for the fee reductions and scholarships can be found at: http://www.polidesign.net/it/colordesign/comepartecipare
The master’s program has two separate learning phases.  The objective of an initial theoretical and scientific segment is to develop technical skills in measurement, control, digital reproduction, and comparison through disciplines including physics, optics, colorimetry, chemistry, psychology, and perception.  The subsequent practical training phase contextualizes this learning in several applied design disciplines: industrial product design, interior architecture, the design of urban spaces, communication, fashion and entertainment, printing, and video.

The master’s program is targeted at graduates in design, architecture, engineering, computer science, informatics, and physics. The master’s board may also opt to admit candidates whose degrees are in other fields, following evaluation of their transcripts and motivational statements.
At most 30 places are available.  The program awards 60 credit units. For further information contact the Ufficio Coordinamento Formazione: phone +39-02-2399-5864 or write formazione@polidesign.net.